In recent years, the art market in Asia has experienced a significant surge in demand, largely driven by wealthy and young collectors. This emerging demographic, comprising of Gen Zers (12-27 years old) and millennials (28-43 years old), has been actively shaping the landscape of art acquisitions, particularly through online channels. The increasing prominence of this group as a key clientele for international auction houses reflects a noteworthy shift in art collecting trends.
Changing Spending Patterns and Regional TrendsThe purchasing power of young collectors in Asia has been on the rise, with high-net-worth millennials and Gen Zers exhibiting an inclination towards investing in art. According to the Art Basel & UBS Survey of Global Collecting 2023, the median expenditure on art and antiques by these demographics has been noteworthy, with high-net-worth millennials in Asia spending around $59,785 and Gen Zers around $56,000 in the first half of 2023. This underscores a significant increase in their art spending compared to the previous year. Notably, collectors from China have emerged as substantial contributors to the art market, with a median expenditure of $241,000 in the first half of 2023. This places China at the forefront of art purchasing within the region, followed by Singapore and Taiwan. The influence of these young collectors has been particularly pronounced in driving the market dynamics, as they accounted for almost 40% of buyers in the Asia Pacific for high-profile auction houses such as Christie’s.
Divergent Preferences and Art Collecting PatternsThe younger demographic’s approach to art collection deviates from traditional trends, reflecting their distinct preferences and priorities. Millennials and Gen Zers have showcased an affinity for diverse art forms, with millennials exhibiting a preference for sculptures, installations, photography, and film or video art, while Gen Zers have shown a proclivity towards digital art and prints. Their emphasis on exploring unconventional art genres signifies a departure from conventional collecting patterns.
Moreover, the significance of collecting blue-chip art among younger collectors is relatively lower, with only 11% considering it of utmost importance, compared to 23% of older buyers. This trend signals a shift towards exploring lesser-known artists and avant-garde creations, highlighting the evolving landscape of art acquisition preferences among younger collectors in Asia.
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