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EU Police Warn of Risks from Russian TV Series

GamesEU Police Warn of Risks from Russian TV Series
The Latvian police have raised concerns about the potential risks associated with the popular Russian crime mini-series ‘The Boy’s Word: Blood on the Asphalt.’ The series, which is set during the final years of the Soviet Union, revolves around brutal teenage street gangs.

Police Notices to Schools

The police in Riga, the capital of Latvia, have taken proactive measures by issuing warnings to approximately 70 schools after suspecting a potential link between the show and a violent incident that occurred in December. Although no concrete evidence has been found establishing a direct connection between the series and the altercation, the authorities aim to identify any indications or signals that may be associated with violence among young people.

Reception Among Students

School principals and teachers have acknowledged receiving the notices from the police. While they could not pinpoint specific incidents related to the Russian show, they have observed students quoting the series and even playing its songs, indicating its popularity among the youth. In response, the school’s counselor mentioned that the authorities would utilize the police letter to conduct inspections in classrooms and educate students on the school’s code of conduct.

Potential Impacts and Criticisms

The series, accessible through the Russian streaming services Wink and Start, has gained unexpected popularity, receiving praise from critics. However, it has also sparked concerns both domestically and internationally. A Latvian journalist publicly criticized the sale of T-shirts featuring the show’s title, while Ukraine has gone as far as to ban the series, labeling it as Russian propaganda.

Political Criticisms

The Russian series has faced criticism from various political figures, including the leader of the Tatarstan region, Rustam Minnikhanov. He expressed disapproval, emphasizing that shows romanticizing crime do not lead to favorable outcomes.
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In conclusion, while ‘The Boy’s Word: Blood on the Asphalt’ has garnered considerable attention and acclaim, the controversy surrounding its potential influence on young audiences has prompted a proactive response from authorities in Latvia. The concerns raised by the police highlight the need for continued vigilance in monitoring the impact of popular media content on impressionable individuals.
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