Randall Park loves an excellent walking-and-talking and hanging-out film. In making his new movie “Shortcomings,” he drew closely from the kinds of observational comedies about flawed folks determining their issues, like Alexander Payne’s “Sideways” and the works of Nicole Holofcener.
In some cases, he deliberately integrated visible homages to these motion pictures. One climactic scene of “Shortcomings,” through which protagonist Ben (Justin H. Min) runs down the streets of New York, was impressed by Greta Gerwig running in “Frances Ha,” as Park defined in an interview.
“These are my favourite varieties of films: within the metropolis, strolling and speaking,” he stated, excitedly itemizing them off and describing how a lot he loves them, earlier than pausing and stating a evident truth of the matter.
“These are all — I imply, they’re all white. I nonetheless love them. They’re nonetheless my favourite form of motion pictures. However they’re all white,” he continued. “And I believe a part of the lifting of shot compositions and stuff like that was a aware reframing, with faces that appear like ours.”
“Shortcomings,” which premiered Sunday on the Sundance Movie Competition, is the form of indie slice-of-life comedy we see typically: mates hanging out and capturing the shit about numerous life questions, like determining work and relationships. They’re typically centered on a protagonist who could be a bit unbearable — or to place it extra frankly, as Ben’s good friend Alice (Sherry Cola) does in a single scene, “a chunk of shit.”
However most of the time, they’re about white folks. In “Shortcomings,” Park’s characteristic directorial debut, he bought to make a model of that kind of film, and it occurs to be a few group of Asian American characters. Based mostly on a 2007 graphic novel by cartoonist and New Yorker cowl illustrator Adrian Tomine, the film follows aspiring filmmaker Ben, who additionally manages an indie movie show within the San Francisco Bay Space. He’s compelled to reevaluate his life when girlfriend Miko (Ally Maki) strikes to New York for an internship.
With “Shortcomings,” Park craved the chance to inform “on a regular basis tales” about Asian American characters and to display “that for us, the mundane will be simply as fascinating as some grand, epic story.”

Shot final summer time in each the Bay Space and New York, it’s the form of movie that he stated continues to be onerous to get made when it’s not about white folks. He attributed that to the methods Hollywood’s white executives, whereas slowly starting to prioritize variety in storytelling, appear to need solely sure sorts of culturally particular narratives from traditionally underrepresented teams.
“Once we go in to pitch tasks, the room is all the time largely white. These are the decision-makers. And I really feel like in terms of tales about historically underrepresented folks, typically they perceive the significance of that, and likewise the great enterprise sense, now, of telling these tales,” Park stated.
“Nevertheless it’s often a case of: ‘We wish your tales, however solely the issues that we are able to’t inform on our personal. We wish your tales about intergenerational battle. We need to hear concerning the motherland, and we would like, I don’t know, martial arts. We wish meals. We wish issues that we are able to’t do on our personal. We don’t need to see motion pictures of individuals simply strolling and speaking, and hanging out in eating places, and speaking about their relationships, and stepping into debates about mundane issues,’” he continued. “The concept is: ‘We’ve bought that lined. We don’t want that from you. What we want is your cultural traumas or whatnot.’
“So to me, that’s what excited me probably the most about this undertaking and Adrian’s guide after I first learn it 15 years in the past. It felt like my on a regular basis life, and my mates, and the issues that we discuss, and the locations that we go to eat. It simply felt so actual to me.”
That unusual, slice-of-life really feel can be current in “Always Be My Maybe,” the good 2019 rom-com that Park co-wrote and co-led with Ali Wong. Through the years, Park has develop into a dependable on-screen presence as patriarch Louis Huang on the groundbreaking ABC sitcom “Recent Off the Boat,” Selina Meyer’s rival Gov. Danny Chung on HBO’s “Veep,” and FBI agent Jimmy Woo within the Marvel Cinematic Universe. However shifting behind the digital camera to direct his first characteristic wasn’t truly a lot of a leap. As a substitute, Park stated he has typically felt directing could be a extra pure match for him — revealing that regardless of his profession of comedic roles and his droll persona on display screen, he’s truly “actually shy.”
“With performing, I find it irresistible. I actually find it irresistible, and it brings me nice pleasure. I’m actually shy in actual life, and so performing all the time felt liberating in lots of methods — simply to have the ability to go on stage or go in entrance of a digital camera, and to simply be these characters,” he stated. “However with directing, I’d say I felt extra in my pores and skin, and it was extra fulfilling in ways in which performing has by no means been for me.”
Park traces that every one the way in which again to varsity on the College of California, Los Angeles, the place he directed productions on the Asian American theater firm he co-founded. Through the years, whereas attempting to make it as an actor, he additionally wrote and directed net collection and brief movies. Extra just lately, he directed the final episode of “Recent Off the Boat” in 2020 and an episode of the Disney+ present “Doogie Kamealoha, M.D.” in 2021. The “Recent Off the Boat” finale, he stated, was when it began to click on for him.
“I believe round that point, I used to be like, ‘Oh gosh, that is actually enjoyable.’ I believe that have solidified it for me, the place I believed, ‘Oh, I believe I can direct, and I believe a characteristic could be in my future,’” he stated.
Whereas determining what he wished to do as a first-time filmmaker, Park had assumed he would direct one thing he wrote himself. However then he remembered “Shortcomings,” a guide he’d lengthy believed might make a fantastic film. His producing associate Hieu Ho came upon that Tomine had written a screenplay, which the manufacturing firm Roadside Sights had optioned and was searching for a director for.
“I had been considering of this as a film for a very long time,” Park recalled. “So I got here up with a really elaborate detailed pitch and pitched it to Roadside, after which pitched it to Adrian. And I assume they appreciated what I needed to say.”

Courtesy of Sundance Institute
From the beginning, the movie delves into conversations that lots of Asian Individuals have in all probability had amongst their good friend teams. As an illustration, Miko calls out Ben’s tendency to be romantically interested in white ladies. And within the movie’s opening scene, the 2 get right into a debate about illustration after attending the premiere of a “Loopy Wealthy Asians” kind film on the Asian American movie competition the place Miko is working. (In a enjoyable Easter egg, the film inside a film stars newly minted Oscar nominee Stephanie Hsu and “The Every day Present” star Ronny Chieng as a romantic pair.)
Ben, who’s the form of movie nerd who in all probability owns lots of Criterion Assortment DVDs, sneers on the movie’s commercialism. He criticizes it as “a garish, mainstream rom-com that glorifies the capitalist fantasy of vindication by way of wealth and materialism.” Miko, alternatively, approves of the film. “It’s going to be a large hit, and that’s what makes it nice. It’s a recreation changer,” she says, stating that its success might assist indie filmmakers like Ben get funding.
A walking-and-talking film can run the chance of feeling too didactic. For Park, “it was actually about ensuring that each character felt actual and that each character felt credible — like, even probably the most rash choice, that it felt like one thing that an actual particular person would do,” he stated. “Every little thing on this film is messy. It actually got here down to simply, ‘How will we hold issues as genuine and actual as attainable, whereas nonetheless making it enjoyable, and entertaining — and yeah, to not really feel preachy, to not likely take any onerous stance on something, however to be sure that each character’s opinions come from an actual place?’”
Like Ben and Miko debating what sorts of illustration are essential and needs to be markers of progress for Asian Individuals, maybe a film like “Shortcomings” means that progress is about seeing ourselves in tales the place we will be messy and imperfect, and the place the stakes aren’t so excessive.
“All people is attempting their finest. Some are succeeding, some are failing, some are succeeding later. However I imply, that’s a common human factor. And I really feel like these form of intimate varieties of tales, we don’t get to be in them typically,” Park stated. “And the truth that we are able to simply have these characters who appear like us, who’re simply actually simply human beings, easy human beings attempting to get by way of life, that’s the stuff I like. As a result of going again to the films we talked about earlier — to me, that’s like my ‘Star Wars.’”